Scenes from the album listening session and discussion for Patricia Wolf’s Hrafnamynd as documented by Kevin Horstmann on November 1st at Mono Space.
Many thanks to Patricia Wolf for spending a Saturday morning at the listening gallery with us sharing insights into her artistic practice and her sublime score to Edward Pack Davee’s 2025 film. The soundtrack was released via Barcelona’s Balmat record label this past summer.
“Patricia Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes.
Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous, Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.”
— Balmat
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